Spotting is only good when pregnant (full term )
Hi all!
I've been trying to learn to spot, but find it's actually making me dizzy. I've read some of the other threads and I think I'm following the instructions....
How important is it for the lady to "spot" while spinning?
Sometimes men will spin a lady as fast as they can, as many times as they can - do you still try and spot then?
And are men supposed to spot too, or is it just a girly thing?
Spotting is only good when pregnant (full term )
Let your mind go and your body will follow. – Steve Martin, LA Story
I actually find spotting helps enormously, but it does depend on the conditions/who I'm dancing with, and I have no idea if I'm doing it right or not, but it works for me. More experienced/better dancers will probably have better advice, but...
I actually use my partner as my spot - helps me maintain some sort of connection and tells me when to stop (but then if I'm spinning rather being turned, I only do one spin out of choice as yet - maybe more later). When it doesn't work is if he's moved away from where I was expecting him to be, or if it's club-style lighting and he's either disappeared into the gloom, or I come round to find a spotlight shining in my eyes (I hate this! )
You might want to practice your spinning and spotting on your own, in private. I agree, it's not easy - I learnt as a child in ballet, and it's amazing what stays with you!
Hmmm good points from all!
I found that when I learned to spot about 10 yrs ago during ballet training it did make me dizzy initially because it was totally different to how you would normally spin. It took time for me to adjust!
However it did stand me in good stead! I now can't do it properly as the way I spin in MJ is different style wise to how I learned to in Ballet! As Ducasi pointed out...spotting properly can look weird in MJ. I also found that I can't spot as well if I'm put into really fast spins!
So on to my point...I've modified how I spot to suit me and you will probably do the same.
Twirly made a good point about using your partner to spot as it helps connection and it tends to bring you back to face them and prevent overspin!
Traditionally you will focus on your "spot" start top turn leaving your head and eyes focused then whip your head around to re-focus when you can't turn anyfurther without taking your eye's off the "spot".
What I do is instead of leaving your eye's focussed on the spot I will whip it round as soon as possible so I'm leading the turn with my head and shoulders.
As I said it's not traditionally spotting but it does help me prevent myself from being dizzy and I think it looks better!
Although when doing really slow turns then keeping focused on your partner until the last possible moment will intesify the connection and mood of the dance!
So basically a case of trial and error is what is called for! Find out what works for you?!
What Freya said.
Also, been thinking, it sounds odd, but I unfocus my eyes whilst in the actual spin, as it's the watching everything go by really quickly that makes me feel nauseous. So I focus on partner, start spin, unfocus/relax eyes slightly, then as my head comes round, actively look for my lead...
Probably true, but the majority of the best dancers do it, no doubt in part due to training in other dance styles, e.g. in ballroom or ballet.
I don't agree that it looks weird, maybe that's a matter of taste, but watching someone execute a series of perfectly balanced spins (e.g Nina or Robert Cordoba), spotting each one, looks far better to me than someone with a "wooden neck." I'd be interested to know how much attention judges give to spotting in competitions. (David...?)
And yes, it applies to the men too, but of course we get less practice
It's definitely easier to practice on your own, than when dancing freestyle, it's easier to do on single turns than multiple turns, and I find it easier to do when doing spins rather than being led into turns by your partner.
Regarding the dizziness, there are 2 main ways in which the spotting should make this better, firstly the fluid in your balance mechanism doesn't have time to settle in the same way as it does if you have a continuous centrifugal force applied to it. Second is the visual effect, watching the world spinning around you will make you dizzier than focusing on a single point. When being led into fast multiple spins, the usual advice is forget spotting, total to those that can still do it.
Don't expect to get it right in a hurry, after several years of trying, I think I can do it OK on a single spin, given a few more years, I might master doubles...
Greg
For an example of how spotting can look weird check , right about the 48 second mark...
Let your mind go and your body will follow. – Steve Martin, LA Story
Glad to hear that it makes you dizzy at first. I tried to learn it, but like GEM I found it was making me dizzier. I thought that maybe it just didn't work for everyone and stopped trying. I'd love to do it, I think it looks good and hope it would, eventually, help with feeling dizzy after multiple spins.
I'll give it another go.
If I conciously spot -- I get dizzy.
I think the problem is that I try to bring my head back to the exact spot, the momentum from the spin will carry me past where I intended to view. In effect, I overshoot -- and that can make me dizzy. If I turn the head round and stop slightly before the exact spot, then the momentum from the spin will naturally carry it into view -- and that seems to help. Probably lousy technique -- but feel free to try it.
SpinDr.
I think spotting done well can look good.
Also, I think spotting allows you a slight period of time (fractions of a second) where you can gain awareness of what your partner and the people around you are doing - e.g. to help to ensure you don't bump into them.
You don't really get that if you just keep your head moving around continuously, as it's all a bit of a blur.
Wow, I just got my first ever negative rep for my initial comment on this thread.
I stand by what I said. Maybe slower spotting is ok – but we're not ballet dancers.
I'm not sure I follow – spotting means you're going to be less able to see what's going on around you – most of the time you'll be looking at your partner, and when you're not, things will be (should be) even more of a blur.
Let your mind go and your body will follow. – Steve Martin, LA Story
Would agree with you Greg that it doesn't look weird, don't think that much attention would be given to it by jusdges but would be surprised to see anyone look half as sharp not spotting over someone who did, certainly any time you see "proper" dancers dancing this is fairly obvious as the "wooden neck" style does tend to make people fall off the end of their spins.
Yes I'm the nasty person who negative repped you Duncan because quite frankly what you wrote was imho guff.
Spotting serves a number of purposes, following on from repping you I decided to try and phrase what I conseidered the benefits of spotting to be but give up and went to oneof many dance web-sites who give a little time and thought to spotting:-
"The following is a list of the most common benefits of spotting during turns:
Keeps dancer oriented and aware of the movement, direction, and location of the body in space.
Prevents disorientation caused by lack of visual focus.
Increases the overall speed of the rotation.
Makes the spin appear much faster and sharper than it actually is.
Reduces dizziness associated with spinning.
When you spot, the goal is to keep the head fixed in space while the body turns underneath. This is best accomplished by maintaining visual focus on a particular object in the room."
Without trying to be offensive I think what you wrote may be true for beginner'ish dancers which you've probably most experinece with but I can assure you that there are a fair few in the MJ scene who spot very effectively and in doing so lets them turn a lot more fluidly and shaper than those who don't.
Dave
I'll keep my eye out for them this week. Perhaps I just am not noticing them.Originally Posted by Dave Hancock
Let your mind go and your body will follow. – Steve Martin, LA Story
Something I've just thought about...
When doing turns, etc., often ladies are told to keep their elbows in front of their faces so they can see them and know where they are – hopefully not in their partner's face!
If you're spotting though, how can you do this?
Let your mind go and your body will follow. – Steve Martin, LA Story
????????????? A girls elbows in front of their faces?!? I can't imagine any teacher telling a girl to have their arms up infront of their face - arms should be kept low - near to waist centre of gravity
and as I'm posting here are my thoughts on learning to spot/using spot in Ceroc
when first using spotting it will throw your spinning off as it is requiring you to spin a manner that is completely foriegn to you - it's very unatural to snap your head around in the manner required.
when talking about spotting in Ceroc - it's important to remember that it is different to spotting in ballet - although it is the same basic technique
in modern jive you don't spot exactly the same way as you do in ballet because you are
- generally spotting at a slower speed,
- to a moving object (your partner) and
- very often not a complete 180 degree revolution
once a dancer is comfortable with spotting they will apply it with out really thinking about it - and with all skills it's when you apply it unconciously that you really feel the benefits of it
Oh that makes more sense
although I wouldn't advise anyone to spin that way - my reccomendation would be for the girl to keep her hand level with her hand level with her forhead and bringing the arm in so that the elbow is dropped sp that it is about the level of the her chin this causes it to be relatively tucked into the body - if a girl has her arm in a position that causes her elbow to be at her eye level it would stick out rather a long way and be rather dangerous
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