That's because to be a good follow you need to stop thinking. Let the man lead you (it's where the 'It's always the man's fault' in MJ comes from). When we start thinking 'oh no, I don't recognise this move' we stop following. I am like this with Tango, I start trying to follow, therefore I can't! I'm convinced that's why I follow better once i've had a wine or two as I stop thinking and just relax.
Interesting assertion.
In my world...
Well executed triple steps can be 'transparent' - ie independent of lead & follow.
Triples are used just as frequently (or perhaps even more so) for travelling - one of their major purposes, after all, is to allow for faster, smoother traversal of the floor.
Movement is constant - there's no such thing as a 'null' point. Triples done at the full extension of a move can, however, be used to great effect to build tension between lead & follow (and yes - follows can use that point to draw out the moment... which is FUN!)
In my world
PS - DC - may I have a dance with you?
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