Magic Hans
26th-November-2004, 02:58 PM
The following is a direct transcript of an article that I picked up after Marc's Hip Hip session at Southport. I thought it was such a great piece that it deserved sharing - but only with the permission of Marc and Rachel, which I just got! Please read, enjoy, and comment!
"Modern Jive: the lead/follow of moves which are loosely based around existing partnered dance styles."
For many people, modern jive is their first taste of partner dancing. Regardless of the brand name (Ceroc, Leroc, etc), the basic principles tend to be the same. A hybrid collection of moves from ballroom, swing and rock & roll provide an adequate starting point in the quest to become a competent freestyle dancer. It is through trial and error that we develop styles to suit all circumstances with no rule book to govern our actions. The main focus of any night is the "freestyle" session.
In many respects, modern jive is still in its infancy. Most of what happens in the dance floor is undocumented. Ask yourself what it is that you do and have discovered yourself without the assistance of friends or teachers to lead the way. Freestyle by its very nature is the quest for the impossible. Never met before, yet hitting the beast and beating the odds is a familiar story for many people. Only after dances like these are we able to understand that it is that makes modern jive unique.
After the induction period, it is easy to reach that plateau of simple timing, basic moves and jerky leading or following. It requires effort to go beyond the norm. Most weekly classes have enough time to concentrate on the bare essentials without touching on the subjects which are out of reach for the majority of the class. Many valuable insights occur during every dance. If you blink you will miss them.
It is essential to look to improve you understanding and take action against what feels natural by placing the thoughts and the feeling of others above what you understand to be right. By becoming a more versatile dancer, it no longer becomes a question of who's right or wrong. Instead you instincively know how to relax or when to push the boundaries and, if called for go to extremes by breaking all the rules set out in a typical modern jive class. The next step to mastery is "musicality".
In short, musicality ensures that your movements fit the muscial arrangement. For example, when the song suddenly changes mid-way through for a brief vocal solo (a breakdown), instead of completing his First Move Return, the leader reacts by setting up a freeze. The follower then has the invitation to solo dance the remainder of the bar. At this time, she is working directly in harmony with the vocal. The trick is in knowing when to come together as a unit just before the end of the bar. Once the song returns to its regular format, it's business as usual. The result is that you both stand out from the crowd. Breaking up the constant pattern of move after move after move after move after move, should be mandatory.
As a leader, your goal is to allow the follower to feel the music through the timing of all movement generated within your body. The reason you included that dip, was because it fit within the song structure and not because it's your favourite move that you always do regardless of the song position or style. As a follower, you become almost another instrument, working in harmony with the arrangement. Feeling the rhythm within & riding the beats. The leader feeds off your enjoyment. On the surface, it's him leading you. Underneath, it's the follower who is in control. Regardless of the physical movements, it's how you react emotionally that produces the best dances. If it feels great, let him know. He will be back with an added aura of confidence.
When you have a philosphy that allows you to dance with any partner, regardless of their experience and still feel relatively comfortable, you may find you no longer enjoy the same sensations you once did. A near perfect dance is to be expected every time and, even though you may have potential partners queuing up the street, the challenge has diminished. Some poeple look for an answer by becoming specialist in other dance forms. The danger is that, during the course of a typical modern jive night, the DJ may not play all the music to show off your new found talent to the full. Bummer!
A realistic approach that works for many of the top dancers in the scene today is to become a "jack of all trades". By learning the basics of Swing, Salsa, Ballroom, West Coast Swing, tango, Blues and even Hip Hop, people will see you as the Mac Daddy (or Mac Mummy) of cool. Each dance has its own emotion, so that during the course of a modern jive freestyle session, you can touch upon the happy go lucky nature of swing, reward you partner by cuddling up close for the blues track and finally blow everyone away with some partnered hip hop. The effect is that you change character to represent the music to the full. A full physical and emotional workout to soothe away the troubles of the day sounds dandy. Luckily the skill will take many years to develop, allowing yourself and others every opportunity for maximum fun along the way.
"Modern Jive: the lead/follow of moves which are loosely based around existing partnered dance styles."
For many people, modern jive is their first taste of partner dancing. Regardless of the brand name (Ceroc, Leroc, etc), the basic principles tend to be the same. A hybrid collection of moves from ballroom, swing and rock & roll provide an adequate starting point in the quest to become a competent freestyle dancer. It is through trial and error that we develop styles to suit all circumstances with no rule book to govern our actions. The main focus of any night is the "freestyle" session.
In many respects, modern jive is still in its infancy. Most of what happens in the dance floor is undocumented. Ask yourself what it is that you do and have discovered yourself without the assistance of friends or teachers to lead the way. Freestyle by its very nature is the quest for the impossible. Never met before, yet hitting the beast and beating the odds is a familiar story for many people. Only after dances like these are we able to understand that it is that makes modern jive unique.
After the induction period, it is easy to reach that plateau of simple timing, basic moves and jerky leading or following. It requires effort to go beyond the norm. Most weekly classes have enough time to concentrate on the bare essentials without touching on the subjects which are out of reach for the majority of the class. Many valuable insights occur during every dance. If you blink you will miss them.
It is essential to look to improve you understanding and take action against what feels natural by placing the thoughts and the feeling of others above what you understand to be right. By becoming a more versatile dancer, it no longer becomes a question of who's right or wrong. Instead you instincively know how to relax or when to push the boundaries and, if called for go to extremes by breaking all the rules set out in a typical modern jive class. The next step to mastery is "musicality".
In short, musicality ensures that your movements fit the muscial arrangement. For example, when the song suddenly changes mid-way through for a brief vocal solo (a breakdown), instead of completing his First Move Return, the leader reacts by setting up a freeze. The follower then has the invitation to solo dance the remainder of the bar. At this time, she is working directly in harmony with the vocal. The trick is in knowing when to come together as a unit just before the end of the bar. Once the song returns to its regular format, it's business as usual. The result is that you both stand out from the crowd. Breaking up the constant pattern of move after move after move after move after move, should be mandatory.
As a leader, your goal is to allow the follower to feel the music through the timing of all movement generated within your body. The reason you included that dip, was because it fit within the song structure and not because it's your favourite move that you always do regardless of the song position or style. As a follower, you become almost another instrument, working in harmony with the arrangement. Feeling the rhythm within & riding the beats. The leader feeds off your enjoyment. On the surface, it's him leading you. Underneath, it's the follower who is in control. Regardless of the physical movements, it's how you react emotionally that produces the best dances. If it feels great, let him know. He will be back with an added aura of confidence.
When you have a philosphy that allows you to dance with any partner, regardless of their experience and still feel relatively comfortable, you may find you no longer enjoy the same sensations you once did. A near perfect dance is to be expected every time and, even though you may have potential partners queuing up the street, the challenge has diminished. Some poeple look for an answer by becoming specialist in other dance forms. The danger is that, during the course of a typical modern jive night, the DJ may not play all the music to show off your new found talent to the full. Bummer!
A realistic approach that works for many of the top dancers in the scene today is to become a "jack of all trades". By learning the basics of Swing, Salsa, Ballroom, West Coast Swing, tango, Blues and even Hip Hop, people will see you as the Mac Daddy (or Mac Mummy) of cool. Each dance has its own emotion, so that during the course of a modern jive freestyle session, you can touch upon the happy go lucky nature of swing, reward you partner by cuddling up close for the blues track and finally blow everyone away with some partnered hip hop. The effect is that you change character to represent the music to the full. A full physical and emotional workout to soothe away the troubles of the day sounds dandy. Luckily the skill will take many years to develop, allowing yourself and others every opportunity for maximum fun along the way.