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  1. Double Pretzel
  2. Double (treble / multiple) spins
  3. Travelling Moves
  4. When I were a lad.....
  5. Jumps and Drops: Yay or Nay ?
  6. intermediate workshops
  7. Spinning around...
  8. Lady's feet
  9. To Draw or not to Draw the semi circle....
  10. Multiple Seductions
  11. Intermediate Workshop
  12. Ceroc style vs technique vs moves
  13. Dance style progression
  14. Leading And Following
  15. Favourite Moves... (and least faves, too)?
  16. Things I like in a class (or dislike...)
  17. Triple shoulder turn bounce
  18. Secret overhead neck turn walk
  19. Armjive Ladies Nelson
  20. Basket walk-around back change
  21. Cross body recurring wrap
  22. Pull through wringer
  23. Basked Salsa back pretzel
  24. Standard moves involving steps
  25. Injured by a drop
  26. Moves v Style
  27. 'B' and 'C' List Workshop Instructors
  28. How would you judge?
  29. Timing in Modern Jive
  30. Cracking moves last night
  31. Dangerous moves?
  32. Intermediate class format.
  33. slowing down moves
  34. How do you judge your own ability?
  35. Ladies taking the initiative
  36. Special Offer: Forum members only!
  37. Advanced Dancing
  38. Body rolls
  39. Move Query
  40. Moves to Play With
  41. Of course I'm an expert at this move .....
  42. My First thread! SIGNALS
  43. Finding your Feet
  44. Tips and Tricks
  45. I can't hold out any longer...
  46. Moves that are harder in a class
  47. t-t-timing
  48. Dips and drops - stupid questions
  49. Dancing with beginners
  50. Closed Position
  51. Your coolest move
  52. BIG competition moves
  53. The judges decision is final!
  54. Partners Partners Partners ???
  55. How to Spin
  56. Injecting a little passion
  57. Leading the 'cling'
  58. Its offical - ladies can lead a break!
  59. Adam's workshop
  60. Moves
  61. 1st move Waltz
  62. 1st move Walk
  63. Manhattan
  64. Tango Manhattan
  65. Pivot
  66. Wurlitzer wrapper seducer
  67. Latin man wrap
  68. Valentino
  69. Swan Drop
  70. Cavalier Seducer
  71. Crossbow
  72. Body Comb
  73. Seducer Lean
  74. Diplomat
  75. Garbo & variation
  76. Mans basket
  77. Wenga
  78. Frisk
  79. Grinds
  80. General Notes from "Dirty Dancing"
  81. Fast music
  82. Shake hand (R to R) hold moves...
  83. tippy toes!
  84. lead and follow
  85. Intermediate/Advanced Spinning
  86. Dead Leg?
  87. Music & Understanding "The Beat"
  88. New area?
  89. Interesting Spins Workshop - Notes
  90. Lead & Follow Workshop - Notes
  91. Musical Interpretation Workshop - Notes
  92. Tapping and Sliding
  93. Do you dance to the beat or the music?
  94. Intermediates Classes - the plateau
  95. Dramatising the dance
  96. Nice helpful people last night
  97. Was the intermediate class tonight at that place in W5 too complex??
  98. returning the same ol' borin' moves - NOT!!!
  99. Aberdeen BB Workshop: Spins
  100. Personal benefits of the CTA ?
  101. Hand signals a thing of the past ?
  102. Ceroc Advanced Lessons
  103. Dancing with Two Ladies at Once
  104. Advanced lead/follow
  105. Are Great Dancers born or made?
  106. Why do women anticipate moves?
  107. Teaching Dips & Drops technique (NZ vs rest of the world)
  108. What is meant by 'Musical Interpretation'?
  109. Intermediate classes
  110. Alternative ways of leading moves.....
  111. Floor Craft
  112. Warmups
  113. London Competition
  114. Learning by repetition: good/bad?
  115. The Monkey Walk
  116. Definition of "Advanced" couple
  117. What do ladies want from the 'ideal' dance?
  118. Is this a "regular partner" or "new partner" move?
  119. Hip and Shoulder Spins???
  120. Outside help to improve
  121. Private Lessons at weekend events
  122. Balance
  123. Dancing on the beat
  124. Exiting dips/drops/seducers
  125. Style
  126. testing attachment
  127. Frames
  128. Improving my dancing
  129. Slotted Dancing
  130. Lift offered to Bristol Comp...
  131. Sorting out walking
  132. Minimasters 04
  133. Stylish finish without leaning
  134. Serial Seducers
  135. Converting Rock'n'Rollers
  136. Remembering intermediate moves
  137. Leading moves without a change of places
  138. Lead difference into wrap/sway and layback
  139. ...very short thread on breathing
  140. Who's fault?
  141. Intemediate Competitions Tips Please !
  142. Metz judders
  143. Leans
  144. Style Workshops
  145. Can style be taught?
  146. Relations to the wurlitzer
  147. To tip toe or not to
  148. Layback
  149. Lines and Photos
  150. Sabotage moves
  151. A walk and pose dance?
  152. Hand positions
  153. Moves that you don't like
  154. How long until you enter comps
  155. Forum Articals
  156. Intermediate Plus Workshop - Glasgow Sunday 14th November
  157. The restraints of mj
  158. Any double trouble classes?
  159. Constructive Suggestions
  160. Showing off can be dancing for your own enjoyment
  161. Great Endings To A Dance
  162. Reverse First Move
  163. Who has the hardest job?
  164. What was the link?
  165. Improving co-ordination
  166. Footwork LeRoc or otherwise
  167. Dance and music “logistics” at Jive weekends - a suggestion and a question
  168. TOP TIPS for enjoying the car journey to and from the dance
  169. Double Hands
  170. Dancing on the Half Beat
  171. Dancing on The Half Beat Explained
  172. Scarbru-Victor's Adv.Class-Query???
  173. Should Walks be led?
  174. Online Workshop: Moves, moves, moves
  175. Avoiding pain.
  176. Intermediate w/shop Glasgow - moves
  177. Skippy
  178. Aberdeen Dips and Drops W/Shop
  179. Leading and execution of moves - is there a difference ?
  180. Swingin' the Blues
  181. Leading into a half-nelson?
  182. Forward and back move thingy
  183. The roles of lead and follow...
  184. Merengue: secret wiggle-weapon?
  185. Move gurus: what's this one called?
  186. Assessing Teachers' Level?
  187. Move gurus revisited
  188. New Moves
  189. Catching the lady's hand...
  190. tricky moves w/shop notes
  191. Advise pls - RE:Creating a "Frame... lead/Compression...
  192. stepping or sliding
  193. Leading a Sway...
  194. Arm jive footwork
  195. Footjive armwork
  196. What is it about dancing?
  197. The shoulder drop - confusing
  198. That ole devil called Pain again
  199. Spinning on the teapot
  200. Great Improvement to Standard Ceroc Format
  201. How to get into a 'guitar'
  202. Fingertip following in class
  203. The Poplarity of Jive Is Amazing!
  204. Side lunges
  205. Double Spins
  206. Style and Interpretation Workshops
  207. CQB dance moves
  208. men spinning
  209. What do you do when your partner is spinning their socks off?
  210. Misleading moves
  211. What's the best way to teach Lead & Follow to Improvers & Intermediates?
  212. Subtleties and improvements to Ceroc moves
  213. Continuous connection
  214. Learning Social vs Competitive dancing
  215. Style
  216. Star./
  217. What moves feel natural to follow?
  218. Lead - invite or command?
  219. Amir's First move & musicality
  220. Pick up the pieces
  221. Wed 4th Jan 06 - New Advanced Night at the Jive Bar
  222. How would you change Ceroc if you were the Boss
  223. Embracing the bouncy hand
  224. DJs and the rhythm method
  225. What One Thing did you learn as a Beginner that was Wrong?
  226. Workshop: Techniques in avoiding injury.
  227. Jive equivalent of a West Coast 'Whip'
  228. classic Intermediate W/Shop in Dundee
  229. Advanced dancers/dancing/workshops
  230. From "Blues" to "Jango"
  231. Should you dance to the style of the music?
  232. Guys - what are your core moves?
  233. Body isolations
  234. Dips and Drops help please
  235. Dancing with ladies taking large steps
  236. Online Workshop: Sensual Dancing
  237. Advice needed please!
  238. Alternative Hand Hold?
  239. Chinese Burns
  240. Polite corrections
  241. Comb vs Turn.
  242. Intermediate leading help
  243. Getting to closed position after a turn
  244. Dancing with beginners
  245. Dancing with someone from another style
  246. Leading: When does a push become a shove
  247. Jango workshop - Sun 28th May 2006
  248. Pivot turns and penguin walks
  249. How to crouch elegantly?
  250. Beach Ballroom Workshop Notes - June 2006
  251. What Particularly impresses you about Teachers ?
  252. Moves for followers, moves for leaders...
  253. Ladies .... how would you follow this lead?
  254. Names for spins and turns...
  255. Dealing with spaghetti arms.
  256. First move Manhood grope?
  257. Ignoring my left hand behind my back problem
  258. Footwork on a right-handed archiespin
  259. What is the essence of a butterfly?
  260. Dancing slow.. but without the blues?
  261. Floorcraft tips for leaders
  262. Sabotage
  263. Support in dips
  264. Idiot question about a dance move
  265. Quick or slow back to back?
  266. Describing the essence of a move
  267. Smooth or Smoooooothe.
  268. The one most important factor in teaching?
  269. Class levels: Icons & classifications
  270. Hard Work!
  271. Online Workshop: Blues & Moves
  272. The 'Frame'
  273. Charity dance?
  274. Evil or instructive?
  275. The Ceroc(tm) bounce is official!
  276. Techniques for "club music" dancing?
  277. Dancing "with" the partner...
  278. "Dangerous" moves?
  279. Learning
  280. Dancing: 3 categories?
  281. Should we have 'critique' class in MJ/Ceroc ?
  282. MAN WANTED- for free trip to spain
  283. MJ critique class: would you?
  284. The best venues.
  285. Taxis - Pay or Admit Ones?
  286. Simple or complex moves?
  287. Blow your own trumpet.
  288. Utopia?
  289. Dancing: business and pleasure
  290. How would you describe your style
  291. Dancing at half-time to slow a fast track
  292. Ceroc and Blues Rooms
  293. Man I Feel like a woman!
  294. Lady wanted for night of fun....
  295. Taking the follow's leg out
  296. 140 new Ceroc moves approved
  297. Booming Belfast
  298. Catapult escapes
  299. Double and recurring pretzels - questions
  300. Blues room etiquette
  301. First Move Question
  302. Should the ladies step on every beat?
  303. First Move Lazy Pullthrough
  304. Social Dips, Drops & Aerials on a busy dance floor
  305. Moves Workshops or Technique Workshops? Or a bit of both?
  306. Safety rules...
  307. Blues Style DVD's
  308. Dance as a way of improving skills in other areas
  309. Manhattans
  310. Belfast Class Photographs
  311. Counting beats V Pattern recognition V Feeling the music
  312. Archiespins - travelling and slow and reverse
  313. Fancy move help
  314. Is Dance a conversation?
  315. Move Association Moves
  316. How do you react when your partner doesn't go with your moves?
  317. While I'm here, anyone ever fancy a lunchtime dance in Leeds?
  318. As an experienced dancer do you ever go 'off form'
  319. What is musicality to you how did you achieve it?
  320. Footwork?
  321. Turning your partner...one hand is more troublesome than the other!
  322. Is It A Bird? Plane? No, Just Some Numpty At Cheshunt
  323. Grapevine footwork
  324. Coupling during lessons - causing angst
  325. My Balls Ache!
  326. Belfast Class
  327. Limitations of teaching in MJ classes
  328. Being emotionally moved by a dance
  329. Floored and floorcraft
  330. "I don't go back on that foot..."
  331. Trying too Hard!
  332. Consecutive dances
  333. 5, 6, 7, 8...
  334. Forumites you'd like to see dancing together
  335. Should the follower ever move the leader's hand?
  336. Anything's possible, but is it likely?
  337. Lifting the chin
  338. Why are some male leads so nasty? (not in the American sense, I hasten to add)
  339. Hands and arms...how do you use them when you dance?
  340. Fundamental laws of Ceroc/MJ
  341. What's an intermediate dancer?
  342. Are there two versions of the Accordian?
  343. The Tornado
  344. Shoe advice needed...
  345. How often do you all dance?
  346. Learning plan for dancing
  347. The Turkey Trot
  348. I'll probably have to get my coat after this
  349. The Wonderful World Of Wrapping
  350. Connection is...
  351. Developing separate styles
  352. Sight or feel?
  353. Do you fingertip lead?
  354. Has anyone on here ever thought of becoming a Ceroc teacher?
  355. Action to revive dormant moves in a repertoire
  356. Advice on spinning anyone got any tips?
  357. Etiquette for the first post-class dance?
  358. Strategy for handling wild women?
  359. Mind-reading ability of some women and chaos
  360. Shoulderwrap Neckbreak...how do you lead it?
  361. Atomic Ceroc
  362. Footwork - how much do you incorporate into your dancing?
  363. The Finger
  364. Playing games
  365. Panic attacks
  366. How can we politely stop a move that we really don't like?
  367. Musicality for men?
  368. On the Origin of the Manhattan
  369. Dancing Abroad - How Is MJ Received?
  370. Moves, which no matter how much you practice them, don't feel right?
  371. I am now officially in a bad mood...
  372. First Move Variation help...can you identify it?
  373. Blues and Ceroc
  374. Hand flourishes in MJ...what's the consensus?
  375. How many 'Intermediate' dancers still show up for the Beginner's bit?
  376. Attitude, UFOs and Life's Other Mysteries Explained
  377. Telling Beginners the truth
  378. Practice, practice...how often do you do it?
  379. In defence of 'moves'
  380. The pulse of the music ?
  381. How was your class this week?
  382. Rotation V Slot
  383. Advanced technique
  384. Leading the Columbian
  385. CTA training discussion
  386. First Move - LeRoc v Ceroc
  387. Where's your "centre"?
  388. Controlled shimmy's
  389. "Frame" - What is it? Does it exist?
  390. If no-one really likes bendy, pretzelling moves, then why are they taught?
  391. The Andy and Franck Technicolor Popcorn show
  392. Core intermediate moves ?
  393. Vertical tension: Right or Wrong?
  394. Lead Guitarists who decide to dance
  395. Taxi dancers
  396. Leading and following issues
  397. What's a Cleaver?
  398. Ceroc Competitions - in Oz
  399. My rant for the week....
  400. Help with Shoes
  401. Male dancers starting intermediate class too soon
  402. Mangles...what are they and are they an 'Advanced' Move?
  403. Bloody intermediate dancers...
  404. Men's styling tips
  405. Woodface's footslide...any pointers?
  406. Class line etiquette
  407. Leading Footwork?
  408. (Private) Lessons
  409. Musicality backwards
  410. Hands at waist height?
  411. Teachers required
  412. Strange Swizzle Move...can anyone help?
  413. Do intermediate workshops match the DVDs?
  414. Double Trouble!
  415. Problems with the West Manhattan, part 12
  416. Are the classic moves really intermediate?
  417. Blues Dancing (C.O.Z, Utopia) for Beginners
  418. Leading a triple step
  419. Comfort vs cool
  420. What the ......
  421. Questions for Follows
  422. How do you make your dancing smoother?
  423. Who gets the better deal? Blokes or burds?
  424. Relearning
  425. Drops question...
  426. How much should you compensate for your partner in a dance ?
  427. Dancing with Beginners/Int/Adv
  428. Invitation To Play
  429. Workshops: choreographed routines or just a bunch of moves?
  430. Can you ever have too much musicality?
  431. Dancing in Pregnancy
  432. The Sway
  433. Oh! So that is it ...
  434. Bouncy Men as leads
  435. leaders & followers
  436. Manchester Leader Wanted
  437. DWAS tactics
  438. Does anyone else suffer from " Ceroc weekenders WRIST" ?
  439. Ceroc Goals for leads
  440. New to Taxi-ing
  441. Excessive perspiration.. Is there a cure ???
  442. Moving to a new city
  443. Creating a freestyle routine/Remembering moves on the dance floor
  444. Rusty intermediate needs guidance
  445. Does your nearest MJ class teach the Semi-Circle?
  446. Glittery shoe dilemma
  447. 5&6&7&8
  448. Blues Workshops/Lessons
  449. First Move Argentinian, any ideas?
  450. foot ache
  451. Dodging the TV cameras
  452. Help with Shoes
  453. "Anyone not know this move?"
  454. Eye Contact
  455. Rings and Bangles
  456. Knowing your partners foot/weight/placing...
  457. Footwork patterns in MJ
  458. The Ballroom Drop - help!
  459. WCS-type move...has anyone done this move, and if so, any pointers?
  460. Correct response to sabotage?
  461. Cj v's Shimmy
  462. MJ lead/follow conventions
  463. Fast Floors
  464. Bridging the gap from Intermediate to Advanced
  465. The Anchor in MJ: WCS meets MJ
  466. Talking while dancing???
  467. Greater emphasis on woman's role in Ceroc?
  468. Intermediate Moves in Freestyle
  469. Help on Leroc Beginners moves
  470. MJ Basics
  471. 'Is MJ a superset of other dances?', other dance style comparisons, set theory, etc.
  472. Hallelujahs, love them or hate them…can you live without them?
  473. How do you lead kicks?
  474. modern jivers in Germany
  475. A Five, Six, Seven, Eight...
  476. Is there anything new to say about MJ?
  477. Leaders following and followers leading
  478. Beginners, Intermediate, Advanced
  479. Dancing in jersey
  480. Edinburgh intermediate class moves
  481. Dance shirts and T-shirts for men - recommendations?
  482. You can't really be a good partner dancer unless...
  483. Looking for a dance partner
  484. sabotage
  485. Porn star and body sweep
  486. Sprung Dance Floors
  487. Cambridge weekend
  488. Frame in pivot turns
  489. Leaders entering the Blues Room: Fears & Expectations
  490. Which comes first, the dancer or the music?
  491. Help with some drop/seducer names
  492. Teaching. Bad Dancers/Great Teachers vs. Great Dancers/Bad Teachers
  493. Basic Floorcraft
  494. Being told what you are doing wrong in class
  495. Beginners are better at following than I am at leading
  496. The 'new' Ceroc moves